For one day only, I broke into the world of academia for the Verse Verso event. Others showed and talked about their work far more competently than I could...no matter! It was good to engage with those who took an interest in my table.
Showing posts with label Exhibitions. Show all posts
Showing posts with label Exhibitions. Show all posts
Saturday, 31 May 2025
Saturday, 12 April 2025
Wednesday, 2 April 2025
Wednesday, 10 February 2021
Vispo: I'm Not Sure / Visual Poetry On The Page exhibition, Norman, USA
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RTomens, 2021 |
I'm not sure. About what? Vispo? Sometimes. You know I'm not keen on the term. I only really use it because it's popular and will attract enough people to make me a famous typewriter artist, as opposed to an elitist, a puritan who only calls his work 'Typewriter Art'. Ha-ha.
Concrete Poetry/Vispo is definitely on the up in terms of recognition. Take my word for it. I know. That's not wishful thinking. This year I expect major galleries around the world to have displays of contemporary typewriter artists.
Talking of galleries, here's my work currently on display in Norman, USA...
Thursday, 7 January 2021
Visual Poetry On The Page Exhibition, Norman, Oklahoma / Will Power
Monday, 27 January 2020
Beethoven - Nam June Paik / Book: We Are In Open Circuits
On a rainy Sunday where better to go than our closest art gallery, the Zabludowicz? Well, I'm sure there were other options but we couldn't think of any. We had no idea what to expect from the current show but to our delight the first thing to greet us was Nam June Paik's Beethoven (2001). It was all downhill from there - ouch! That's a little harsh on the other artists, eh? But there it sat, defying the rest to be as imaginative, funny, profound (?), interesting, appealing - in my eyes, but you know, I'm like that. No, not automatically against all contemporary art, just...Paik takes some beating as far as my taste goes if you're putting him in with more contemporary artists. These are my photos of Beethoven.
We Are in Open Circuits: Writings by Nam June Paik is very much worth getting, by the way. Posted below are a few pages from it.

Friday, 22 November 2019
Print: The Marks / Sterling Ruby / Art Worries / Art Storage
RTomens, 2018 |
Watching Sterling Ruby work outside on a massive canvas whilst being interviewed I tried not to be jealous but the tiny Beast of Envy which lurks and occasionally rears it's ugly head did so...for a few seconds. What was I envious of? His success? Or just the space he has to work in - I mean, yes, I could lay a big canvas out in our back yard but even rolled up when finished it would hardly fit in The Cave.
We went to see the Sterling Ruby exhibition at the Gagosian a few days back - just popped in 'cause it's free and we were on our way home - not because we were fans - I'd never heard of him. The pieces were...big...slabs filled with fluid...on plinths (I should post a picture, perhaps...I can't be bothered) - didn't do much for me. In the other room, taking up most of the room, was a 'table' ...this table...

It's HUGE. I reassured the guard that he needn't worry about it being stolen - oh how he...smiled. Surely you need a sense of humour, standing around in a space that's empty most days, for 8 hours! That's some job.
Meanwhile, whilst at my job on Weds I had a sinking feeling as I pushed open the door to the gents - no, not dreading the smell, but thinking "Oh what's the bloody point!" about my art. "It's only a hobby!" That's the trouble with art as a hobby, unlike knitting, trainspotting or stamp collecting it can wriggle under your skin, work it's way up into your brain and infect it with a weird Worry virus - bastard. Specifically, as I stood at the urinal, I contemplated storage, real and virtual. I wondered about art online compared to art in actual space and how mine inhabited both since I usually work with print meaning there are stacks of them as well as folders full. Then there's all the art online.
You know what? By the time I'd zipped up I concluded that it's not a bad hobby to have (keeping it in perspective - it's a hobby, not a shot at 'making it') and my images online can at least be seen by more people than would pass through a gallery should they be hanging in one. They may even discover them months...years after I've launched them into the big spa-a-ace. True, innit?
Returning to my desk to watch the rest of the interview I felt better. I decided I like Sterling Ruby, mainly because he's unpretentious but more because, having looked at a book of his art in the Gagosian which was filled with collages I felt something in common with him - a love of texture, lack of fussiness. And eclecticism. Lack of dominant style. We had common ground in that, at least, if not in available space or, presumably, finances.
Wednesday, 30 October 2019
Nam June Paik at Tate Modern
You can take a trip down the information superhighway of olde with Nam June Paik at Tate Modern - why not? Bound to be entertaining - and it is. Funny how, despite being lumbered with the 'Godfather of Video Art' (or whatever they say) title, the robots are lovable retro-futurist as opposed to sleek examples of up-to-date tech advancement - guess his Fluxus roots show through - and they do throughout the exhibition, literally in one corridor filled with posters and papers....see the Symphony below (for ten members).
...this cabinet of stuff from his studio was a highlight...
...spotted some mail art from Ray Johnson...
...now we're all interconnected Nam June Paik's pieces look like quaint artefacts from the pre-smartphone/PC world, which in a sense they are, but it was a better vision, a humane, often comedic vision as opposed to the dry conceptual claptrap artists can make out of using technology today. 'What's on the telly?' We used to ask. Paik showed us what could be on the telly and how the telly could be art.
Friday, 4 October 2019
Takis at Tate Modern including text by William Burroughs
Strolled casually into the Takis exhibition at Tate Modern the other day, not knowing what to expect but pleasantly surprised by the electromagnetic wonders within. These sculptures too...
...it's hard to appreciate the finesse with which he uses electromagnetism from a picture but...
...an exhibition catalogue (can't recall the date but I think it was early-70s) in a case was opened on the page including text by William Burroughs. Apparently Takis visited him and Gysin whilst they were at The Beat Hotel...
Wednesday, 29 May 2019
Keeping It Real In Sète
We stayed in Sète on the south coast of France last week - 'keeping it real', as we liked to remind ourselves every time we were confronted with what a 'real' town, as opposed to just a tourist trap, does and looks like. I don't know the literal distance, but it's a million miles from the glamour associated with the South of France by the likes of Cannes or Monaco. Like Cannes though, there is a film connection in the form of Agnès Varda, who's 1954 debut, La Pointe Courte, was filmed in the region of the same name, where she lived on a boat with her family during the second World War. Thankfully, the Pointe hasn't been gentrified and still felt like a proper community complete with ramshackle fishing equipment. Looking around it was easy to imagine how hard life once was there...
...on the way to the Pointe we came across some classic poster decollage, under a bridge, gloriously layered, probably due to the fact that it hardly served as a great advertising space...
...I took a few photos of the parts I liked and once home created a print from one of them...
...turns out, to our surprise, Sète is a creative kind of place, with ateliers everywhere, along with some great murals such as this one by Codex Urbanus...
...the Tielle is a pie filled with octopus in a spicy tomato sauce, something of a 'signature' dish for Sète, if that doesn't sound too poncy for what is street food once taken to sea by fishermen. Consequently it's cheap...and delicious. The octopus seems to be revered in the town, almost worshipped, judging by the sculpture of one in a square local to us and it's inclusion in so much art work...
...in this poster they've included another legendary aspect of the town, it's water jousting, but we were too early for the season, unfortunately. We did, however, come across a bar that hosts one of the teams, which proved to be a favourite haunt...
...note the state of the door...that's what we meant by 'keeping it real'. Most of the town's building haven't seen a lick of paint for decades, proudly baring the scars of time and all the better for it in my opinion. Coming from London, we're plagued by gentrification everywhere, usually in the name of profit. In Sète the streets feel 'real' as opposed to being middle-class showrooms. Former grand houses look foreboding come night time and the atmosphere they create is tangible...
Sète has typical tourist activities such as boat trips and beaches just outside of town but despite those it still feels like a secret even though cruise ships stop for brief visits. Despite the beauty of the grand canal, which along with others slices through the town, it doesn't dress itself up to impress visitors. The traffic rarely pauses and no doubt it has the problems associated with any busy place but I found it captivating.
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