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| Who's To Judge?, RTomens, 2025 |
I am the judge.
Dense lines in the corner, but first the circles/globes on 'poles'. Initially empty save for the words, then filled with black lines and finally coloured in red ink.
You can be the judge.
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Twenty years ago, when it was released, I was initiated into the other side of Ennio Morricone courtesy of the compilation, Crime And Dissonance. Previous to that, like many, I only knew his classic spag Western soundtracks. That's what he'll be remembered for more than anything else. Naturally. Squint Eastwood's sharp shooting Man With No Name was bound to continue reaching a wider audience than the many Italian horror and crime films bearing the maestro's sonic touch. Crime And Dissonance covers all the ground Morricone would explore, much of it genre-twisting, from modern classical to 'jazzy', 'avant-garde', even groovy Pop moods. Essential.
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