Showing posts with label Art As Subject. Show all posts
Showing posts with label Art As Subject. Show all posts

Friday, 3 December 2021

Bookshop tour video / The concept of non-study in Art / Noo York Noo York! / Mister Andrew Hairitorium


 A quick tour around Black Gull Books, Camden Market.

A woman from New York was in the shop the other day - bought a book on Patrick Heron. I said I liked the look of what was inside and we got into an Art chat. Turned out she was an academic studying in London. Stupidly, knowing the answer even before I'd finished the question, I asked if she made Art. Of course not. There are studiers and doers, right?

I knew I wasn't cut out for studying anything, right from an early age and despite being Pupil of the Year at junior school. After that it was all uphill into the land of clothes, music and discos where, if I was lucky, I got to snog a girl outside the hall. Oh the good ol' days, when girls tasted of crisps, chewing gum and Pernod...well, one did anyway...and I didn't mind!).

Even though I liked Art classes I still couldn't be arsed with studying anything...like...techniques, you know, skills. I suppose that shows, 45 years later. I'm not saying that's a good thing. Well, painting or drawing a bowl of fruit or country scene just wasn't for me, you know? I was ahead of my time. 45 years later you don't need old-fashioned skills to get into Art school, do you? No, just turn up for the interview with a head full of ideas - no bloody portfolio! And for your degree show, present those ideas written out (or printed, if you insist). It's conceptual, see? Take that! 

We chatted (well she did) about MOMA, its collections and how they hung them. I haven't been to a gallery since they started insisting on wearing masks. I didn't tell her that for fear she would mark me as an anti-vaxxer. She said she preferred London to New York, partly because it was greener. I told her New York would probably overwhelm me. It's only ever appealed if I could travel back in time to...1950? Yes, when all men wore suits and hats and the Jazz scene was hot - Be-Bop!

Finally, some ephemera, found in a book this week. Love the name of this salon...a Hairitorium no less!



Friday, 29 October 2021

Fine Art Exorcism!

 

Demon! magazine, issue #1

DO YOU WORRY ABOUT THE COLOUR SCHEME IN YOUR ART?

DO YOU SPEND AGES CONTEMPLATING THE COMPOSITION?

DO YOU SNEER AT WORK ON PAPER, ESPECIALLY A4?

ARE YOU UNABLE TO LET GO AND IMPROVISE?

DO YOU THINK ALL ART SHOULD BE BEAUTIFUL IN SOME WAY?

IS BEING SHOWN IN A GALLERY ONE OF YOUR MAIN OBJECTIVES?

ARE YOU ENVIOUS OF EVERY ARTIST FEATURED IN FRIEZE MAGAZINE?

DO YOU ALWAYS USE THE WORD 'PRACTICE' WHEN DISCUSSING YOUR WORK?

WILL YOU GIVE UP IF YOU HAVEN'T 'MADE IT' BEFORE YOU'RE 30?

Then you are possessed by the Fine Art Demon! I provide an exorcism service to rid you of this evil force. It may be a traumatic experience but you will be free by the end of it, I promise. You will be making Art in a free (as much as is possible, considering the normal doubts which wrack the artist's mind, such as "Is this a load of crap?" and "Can I really ask this price for it?" etc) state of mind. The service could last from just 30 minutes to several hours (the latter is more likely if you ever attended an Art school). The fee, however, is set at a flat rate of merely £500. This service is for UK residents only. Please contact me if you need help!


Tuesday, 10 March 2020

Rolf Harris/Richard Prince Cowboy Prints - all the drama of the West!




Richard Prince, eat your heart out. In 1971, when Prince was just 20 and no doubt wondering how the hell he could become famous, Rolf Harris was taking cowboy art to the masses via Wonderloaf. This ad is from the Daily Mirror, dated July 11, 1970. I like to think Prince saw it whilst visiting England and was inspired. Surely it would be a great idea if he allowed prints to be given away with tokens from a bread-making company! This also 'evokes all the drama, excitement and romance of the West', doesn't it?



Image result for richard prince cowboy

Thursday, 20 February 2020

Vinyl: Elliott Carter's Piano Concerto / The Demise Of Worthwhile Art / Vispo/Print: Like



Found this in the Oxfam shop today. Passed on Stockhausen's Stimmung on vinyl too; it's not a favourite of mine and was priced at £7.99 instead of the £2.99 I paid for the Elliott Carter which, I'm sure you'll agree, has a stunning cover, Sanctuary by Seymour Lipton


Someone on FB posted this video. 'Blonde' is the name she chooses, as if blondes don't get enough insults without a blonde actually being stupid and encouraging the bad stereotyping. If you're interested in an ignorant opinion of 20th century art it's worth watching, although you've probably heard such stupidity a million times before. Still, it served to remind me of how wrong some people can be about Art.  


Here's a print I made the other day, opting to work on a small 'canvas' for a change. It's on handmade paper (15cm x 16cm). I'm sure Blonde wouldn't 'like' it.

RTomens, 2020


Wednesday, 29 May 2019

Keeping It Real In Sète




We stayed in Sète on the south coast of France last week - 'keeping it real', as we liked to remind ourselves every time we were confronted with what a 'real' town, as opposed to just a tourist trap, does and looks like. I don't know the literal distance, but it's a million miles from the glamour associated with the South of France by the likes of Cannes or Monaco. Like Cannes though, there is a film connection in the form of Agnès Varda, who's 1954 debut, La Pointe Courte, was filmed in the region of the same name, where she lived on a boat with her family during the second World War. Thankfully, the Pointe hasn't been gentrified and still felt like a proper community complete with ramshackle fishing equipment. Looking around it was easy to imagine how hard life once was there...


...on the way to the Pointe we came across some classic poster decollage, under a bridge, gloriously layered, probably due to the fact that it hardly served as a great advertising space...


...I took a few photos of the parts I liked and once home created a print from one of them...


...turns out, to our surprise, Sète is a creative kind of place, with ateliers everywhere, along with some great murals such as this one by Codex Urbanus...



...the Tielle is a pie filled with octopus in a spicy tomato sauce, something of a 'signature' dish for  Sète, if that doesn't sound too poncy for what is street food once taken to sea by fishermen. Consequently it's cheap...and delicious. The octopus seems to be revered in the town, almost worshipped, judging by the sculpture of one in a square local to us and it's inclusion in so much art work...


...in this poster they've included another legendary aspect of the town, it's water jousting, but we were too early for the season, unfortunately. We did, however, come across a bar that hosts one of the teams, which proved to be a favourite haunt...


...note the state of the door...that's what we meant by 'keeping it real'. Most of the town's building haven't seen a lick of paint for decades, proudly baring the scars of time and all the better for it in my opinion. Coming from London, we're plagued by gentrification everywhere, usually in the name of profit. In Sète the streets feel 'real' as opposed to being middle-class showrooms. Former grand houses look foreboding come night time and the atmosphere they create is tangible...


...we never tired of walking those streets.


Sète has typical tourist activities such as boat trips and beaches just outside of town but despite those it still feels like a secret even though cruise ships stop for brief visits. Despite the beauty of the grand canal, which along with others slices through the town, it doesn't dress itself up to impress visitors. The traffic rarely pauses and no doubt it has the problems associated with any busy place but I found it captivating.



Sunday, 12 October 2014




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                                Get Into Art                                      A New World   


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